Showing posts with label singer. Show all posts
Showing posts with label singer. Show all posts

Thursday, April 7, 2011

All in One of Film Industry

Jackie Chan, SBS, MBE[2] (born Chan Kong-sang, 陳港生; 7 April 1954) is a Hong Kong[3] actor, action choreographer, filmmaker, comedian, director, producer, martial artist, screenwriter, entrepreneur, singer and stunt performer.

In his movies, he is known for his acrobatic fighting style, comic timing, use of improvised weapons, and innovative stunts. Jackie Chan has been acting since the 1960s and has appeared in over 100 films. Chan has received stars on the Hong Kong Avenue of Stars and the Hollywood Walk of Fame.

As a cultural icon, Chan has been referenced in various pop songs, cartoons, and video games. Chan is also a Cantopop and Mandopop star, having released a number of albums and sung many of the theme songs for the films in which he has starred.

Early life

Chan was born on 7 April 1954, in Victoria Peak, in the former Crown colony of Hong Kong, as Chan Kong-sang to Charles and Lee-Lee Chan, refugees from the Chinese Civil War. He was nicknamed Paopao (Chinese: 炮炮, literally meaning "Cannonball") because the high-energy child was always rolling around. Since his parents worked for the French Consul to Hong Kong, Chan spent his formative years within the grounds of the consul's residence in the Victoria Peak district.

Chan attended the Nah-Hwa Primary School on Hong Kong Island, where he failed his first year, after which his parents withdrew him from the school. In 1960, his father immigrated to Canberra, Australia, to work as the head cook for the American embassy, and Chan was sent to the China Drama Academy, a Peking Opera School run by Master Yu Jim-yuen. Chan trained rigorously for the next decade, excelling in martial arts and acrobatics. He eventually became part of the Seven Little Fortunes, a performance group made up of the school's best students, gaining the stage name Yuen Lo in homage to his master. Chan became close friends with fellow group members Sammo Hung and Yuen Biao, the three of them later to be known as the Three Brothers or Three Dragons.

At the age of 8, he appeared with some of his fellow "Little Fortunes," in the film Big and Little Wong Tin Bar (1962), with Li Li Hua playing his mother. Chan appeared with Li again the following year, in The Love Eterne (1963) and had a small role in King Hu's 1966 film, Come Drink with Me.[9] In 1971, after an appearance as an extra in another Kong Fu film, A Touch of Zen, Chan began his adult career in the film industry, initially signing to Chu Mu's Great Earth Film Company.[10] At the age of 17, he worked as a stuntman in the Bruce Lee films Fist of Fury and Enter the Dragon under the stage name Chan Yuen Lung (Chinese: 陳元龍).[11] He received his first starring role later that year, in Little Tiger of Canton, which had a limited release in Hong Kong in 1973. Due to the commercial failures in his early ventures into films and trouble finding stunt work, in 1975 Chan starred in a comedic adult film, All in the Family, which features Jackie Chan's first and possibly only nude sex scene filmed to date. It is also the only film he has made to date that did not feature a single fight scene or stunt sequence.

Chan joined his parents in Canberra in 1976, where he briefly attended Dickson College and worked as a construction worker. A fellow builder named Jack took Chan under his wing, earning Chan the nickname of "Little Jack" which was later shortened to "Jackie" and the name Jackie Chan stuck with him ever since. In addition, in the late 90s, Chan changed his Chinese name to Fong Si-lung (Chinese: 房仕龍), since his father's original surname was Fong.

Film career

Early exploits: 1976–1979

Jackie Chan began his film career as a stuntman in the Bruce Lee films Fist of Fury (1972) and Enter the Dragon (1973, pictured).

In 1976, Jackie Chan received a telegram from Willie Chan, a film producer in the Hong Kong film industry who had been impressed with Jackie's stuntwork. Willie Chan offered him an acting role in a film directed by Lo Wei. Lo had seen Chan's performance in the John Woo film Hand of Death (1976) and planned to model him after Bruce Lee with the film New Fist of Fury. His stage name was changed to Sing Lung (Chinese: 成龍, also transcribed as Cheng Long,literally "become the dragon") to emphasise his similarity to Bruce Lee, whose stage name was Lei Siu-lung (Chinese: 李小龍, meaning "Little Dragon"). The film was unsuccessful because Chan was not accustomed to Lee's martial arts style. Despite the film's failure, Lo Wei continued producing films with similar themes, resulting in little improvement at the box office.

Chan's first major breakthrough was the 1978 film Snake in the Eagle's Shadow, shot while he was loaned to Seasonal Film Corporation under a two-picture deal.[18] Under director Yuen Woo-ping, Chan was allowed complete freedom over his stunt work. The film established the comedic kung fu genre, and proved to be a breath of fresh air for the Hong Kong audience. Chan then starred in Drunken Master, which finally propelled him to mainstream success.

Upon Chan's return to Lo Wei's studio, Lo tried to replicate the comedic approach of Drunken Master, producing Half a Loaf of Kung Fu and Spiritual Kung Fu. He also gave Chan the opportunity to co-direct The Fearless Hyena with Kenneth Tsang. When Willie Chan left the company, he advised Jackie to decide for himself whether or not to stay with Lo Wei. During the shooting of Fearless Hyena Part II, Chan broke his contract and joined Golden Harvest, prompting Lo to blackmail Chan with triads, blaming Willie for his star's departure. The dispute was resolved with the help of fellow actor and director Jimmy Wang Yu, allowing Chan to stay with Golden Harvest.

Success of the action comedy genre: 1980–1987

The film Police Story, nicknamed "Glass Story" for its stunt work, is set in a modern period.

Willie Chan had become Jackie's personal manager and firm friend, and has remained so for over 30 years. He was instrumental in launching Chan's international career, beginning with his first forays into the American film industry in the 1980s. His first Hollywood film was Battle Creek Brawl in 1980. Chan then played a minor role in the 1981 film The Cannonball Run, which grossed US$100 million worldwide. Despite being largely ignored by audiences in favour of established American actors like Burt Reynolds, Chan was impressed by the outtakes shown at the closing credits, inspiring him to include the same device in his future films.

After the commercial failure of The Protector in 1985, Chan temporarily abandoned his attempts to break into the US market, returning his focus to Hong Kong films.

Back in Hong Kong, Chan's films began to reach a larger audience in East Asia, with early successes in the lucrative Japanese market including The Young Master (1980) and Dragon Lord (1982). The Young Master went on to beat previous box office records set by Bruce Lee and established Chan as Hong Kong cinema's top star.

Chan produced a number of action comedy films with his opera school friends Sammo Hung and Yuen Biao. The three co-starred together for the first time in 1983 in Project A, which won the Best Action Design Award at the third annual Hong Kong Film Awards.[22] Over the following two years, the "Three Brothers" appeared in Wheels on Meals and the original Lucky Stars trilogy. In 1985, Chan made the first Police Story film, a US-influenced action comedy in which Chan performed his own stunts. It was named the "Best Film" at the 1986 Hong Kong Film Awards. In 1987, Chan played "Asian Hawk," an Indiana Jones-esque character, in the film Armour of God. The film was Chan's biggest domestic box office success up to that point, grossing over HK $35 million.

Acclaimed sequels and Hollywood breakthrough: 1988–1998

Chan in his Hollywood breakthrough film Rumble in the Bronx.

In 1988 Chan starred alongside Sammo Hung and Yuen Biao for the last time to date, in the film Dragons Forever. Hung co-directed with Corey Yuen, and the villain in the film was played by Yuen Wah, both of whom were fellow graduates of the China Drama Academy.

In the late 1980s and early 90s, Chan starred in a number of successful sequels beginning with Police Story 2, which won the award for Best Action Choreography at the 1989 Hong Kong Film Awards. This was followed by Armour of God II: Operation Condor, and Police Story 3: Super Cop, for which Chan won the Best Actor Award at the 1993 Golden Horse Film Festival. In 1994, Chan reprised his role as Wong Fei-hung in Drunken Master II, which was listed in Time Magazine's All-Time 100 Movies. Another sequel, Police Story 4: First Strike, brought more awards and domestic box office success for Chan, but did not fare as well in foreign markets.[28] Jackie Chan rekindled his Hollywood ambitions in the 1990s, but refused early offers to play villains in Hollywood films to avoid being typecast in future roles. For example, Sylvester Stallone offered him the role of Simon Phoenix, a criminal in the futuristic film Demolition Man. Chan declined and the role was taken by Wesley Snipes.

Chan finally succeeded in establishing a foothold in the North American market in 1995 with a worldwide release of Rumble in the Bronx, attaining a cult following in the United States that was rare for Hong Kong movie stars. The success of Rumble in the Bronx led to a 1996 release of Police Story 3: Super Cop in the United States under the title Supercop, which grossed a total of US $16,270,600. Jackie's first huge blockbuster success came when he co-starred with Chris Tucker in the 1998 buddy cop action comedy Rush Hour grossing US$130 million in the United States alone. This film made a star of Jackie Chan, in Hollywood. As a publicity stunt, Jackie also wrote his autobiography in collaboration with Jeff Yang entitled I Am Jackie Chan.

Dramatization and fame in Hollywood: 1999–2007

Jackie Chan plays an anti-hero for the first time in Rob-B-Hood: a burglar with gambling problems.

In 1998, Chan released his final film for Golden Harvest, Who Am I? After leaving Golden Harvest in 1999, he produced Gorgeous, a romantic comedy that focused on personal relationships. Chan then helped create a PlayStation game in 2000 called Jackie Chan Stuntmaster, to which he lent his voice and performed the motion capture.

Despite further success with Shanghai Noon in 2000, Rush Hour 2 in 2001 and Shanghai Knights and The Medallion in 2003, Chan became frustrated with Hollywood over the limited range of roles and lack of control over the film-making process. In response to Golden Harvest's withdrawal from the film industry in 2003, Chan started his own film production company, JCE Movies Limited (Jackie Chan Emperor Movies Limited) in association with Emperor Multimedia Group (EMG). His films have since featured an increasing number of dramatic scenes while continuing to succeed at the box office; examples include New Police Story (2004), The Myth (2005) and the hit film Rob-B-Hood (2006).

Chan's next release was Rush Hour 3 in August 2007. It grossed US$255 million. However, it performed poorly in Hong Kong, grossing only HK$3.5 million during its opening weekend.

New experiments and change in style: 2008–present

As Chan had stated years before, there would be a point in his life in which he would have to be modernized and use special effects, and try new different things than martial arts flicks. This began in 2007, with the filming of The Forbidden Kingdom (released in 2008), Chan's first onscreen collaboration with fellow Chinese actor Jet Li, which was completed on 24 August 2007 and the film was released in April 2008. The film featured heavy use of effects and wires. Chan voiced the character Master Monkey in the DreamWorks Animation film, Kung Fu Panda, released in June 2008, appearing with stars Jack Black, Dustin Hoffman and Angelina Jolie.In addition, he has assisted Anthony Szeto in an advisory capacity for the writer-director's film Wushu, released on 1 May 2008. The film stars Sammo Hung and Wang Wenjie as father and son.

In November 2007, Chan began filming Shinjuku Incident, a dramatic role featuring no martial arts sequences with director Derek Yee, which sees Chan take on the role of a Chinese immigrant in Japan. The film was released on 2 April 2009. According to his blog, Chan discussed his wishes to direct a film after completing Shinjuku Incident, something he has not done for a number of years. The film is expected to be the third in the Armour of God series, and has a working title of Armour of God III: Chinese Zodiac. Chan originally stated that he would start filming on 1 April 2008, but that date had passed and the current state of the film is unknown. Because the Screen Actors Guild did not go on strike, Chan started shooting his next Hollywood movie The Spy Next Door at the end of October in New Mexico. In The Spy Next Door, Chan plays an undercover agent whose cover is blown when he looks after the children of his girlfriend; Chan most likely did the film to appeal to his younger audience in America. In Little Big Soldier, Chan stars, alongside Leehom Wang in a non-martial arts comedy movie based on the Warring States Period.

On 22 June 2009, Chan left Los Angeles to begin filming The Karate Kid, a remake of the 1984 original, in Beijing. The film was released in America on 11 June 2010 and sees Chan's first dramatic American film. In the film, he plays Mr. Han, a kung fu master and maintenance man who teaches Jaden Smith's character, Dre, kung-fu so he can defend himself from school bullies. In Chan's next movie, Shaolin, he plays the cook of the temple instead of one of the major characters.

Jackie Chan's 100th film "1911" will be released in October 2011. He is both the co-director and star of the movie.

Stunts

Jackie Chan prepares to slide down the side of a high rise building in New Police Story

Jackie Chan performs most of his own stunts, which are choreographed by the Jackie Chan Stunt Team. He has stated in interviews that the primary inspiration for his more comedic stunts were films such as The General directed by and starring Buster Keaton, who was also known to perform his own stunts. Since its establishment in 1983, Chan has used the team in all his subsequent films to make choreographing easier, given his understanding of each member's abilities. Chan and his team undertake many of the stunts performed by other characters in his films, shooting the scenes so that their faces are obscured.

The dangerous nature of his stunts makes it difficult for Chan to get insurance, especially in the United States, where his stunt work is contractually limited. Chan holds the Guinness World Record for "Most Stunts By A Living Actor", which emphasizes "no insurance company will underwrite Chan's productions, in which he performs all his own stunts". In addition, he holds an unrecognised record for the most number of takes for a single shot in a film, having shot over 2900 retakes for a complex scene involving a Jianzi game in Dragon Lord.

Chan has been injured numerous times attempting stunts; many of them have been shown as outtakes or as bloopers during the closing credits of his films. He came closest to death filming Armour of God, when he fell from a tree and fractured his skull. Over the years, Chan has dislocated his pelvis and broken his fingers, toes, nose, both cheekbones, hips, sternum, neck, ankle and ribs on numerous occasions. Promotional materials for Rumble in the Bronx emphasized that Chan performed all of the stunts, and one version of the movie poster even diagrammed his many injuries.

Filmography and screen persona

Jackie Chan at the 2008 Cannes Film Festival.

Jackie Chan created his screen persona as a response to Bruce Lee, and the numerous imitators who appeared before and after Lee's death. In contrast to Lee's characters, who were typically stern, morally upright heroes, Chan plays well-meaning, slightly foolish regular guys (often at the mercy of their friends, girlfriends or families) who always triumph in the end despite the odds. Additionally, Chan has stated that he deliberately styles his movement to be the opposite of Lee's: where Lee held his arms wide, Chan holds his tight to the body; where Lee was loose and flowing, Chan is tight and choppy. Despite the success of the Rush Hour series, Chan has stated that he is not a fan of it since he neither appreciates the action scenes in the movie, nor understands American humour.

In recent years, the aging Chan grew tired of being typecast as an action hero, prompting him to act with more emotion in his latest films. In New Police Story, he portrayed a character suffering from alcoholism and mourning his murdered colleagues. To further shed the image of Mr. Nice Guy, Chan played an anti-hero for the first time in Rob-B-Hood starring as Thongs, a burglar with gambling problems.

Television work

The title card of his own animated series.

In 2000, Chan hosted a fictionalised version of himself in the animated series Jackie Chan Adventures, which ran until 2005.

In July 2008, the BTV reality television series entitled The Disciple (simplified Chinese: 龙的传人; traditional Chinese: 龍的傳人, lit. "Disciple of the Dragon") concluded. The series was produced by, and featured Jackie Chan. The aim of the program was to find a new star, skilled in acting and martial arts, to become Chan's "successor" and student in filmmaking. Contestants were trained by Jackie Chan Stunt Team members Alan Wu and He Jun and competed in various fields, including explosion scenes, high-altitude wire-suspension, gunplay, car stunts, diving, obstacles courses etc. The regular judges on the program were He Ping, Wu Yue and Cheng Pei Pei. Guest judges include Stanley Tong, Sammo Hung and Yuen Biao. The "Finals" began on 5 April 2008, with 16 contestants remaining, and concluded on 26 June 2008. Amongst those in attendance were Tsui Hark, John Woo, Ng See Yuen and Yu Rongguang.

The winner of the series was Jack Tu (Tu Sheng Cheng). Along with runners up Yang Zheng and Jerry Liau, Tu is now set to star in three modern Chinese action films, one of which was scripted by Chan, and all three will be co-produced by Chan and his company JCE Movies Limited. The films will be entitled Speedpost 206, Won't Tell You and Tropical Tornado and will be directed by Xie Dong, Jiang Tao and Cai Rong Hui. All 16 finalists will be given the opportunity to work on the films, or to join the Jackie Chan Stunt Team. Production on the first film is due to begin in September 2008. In addition, the finalists will be given roles in a forthcoming BTV action series.

Music career

Jackie Chan had vocal lessons whilst at the Peking Opera School in his childhood. He began producing records professionally in the 1980s and has gone on to become a successful singer in Hong Kong and Asia. He has released 20 albums since 1984 and has performed vocals in Cantonese, Mandarin, Japanese, Taiwanese and English. He often sings the theme songs of his films, which play over the closing credits. Chan's first musical recording was "Kung Fu Fighting Man", the theme song played over the closing credits of The Young Master (1980). At least 10 of these recordings have been released on soundtrack albums for the films. His cantonese song Story of a Hero (英雄故事) (theme song of Police Story) was selected by the Royal Hong Kong Police and incorporated into their recruitment advertisement in 1994.

Chan voiced the character of Shang in the Chinese release of the Walt Disney animated feature, Mulan (1998). He also performed the song "I'll Make a Man Out of You", for the film's soundtrack. For the US release, the speaking voice was performed by B.D. Wong and the singing voice was done by Donny Osmond.

In 2007, Chan recorded and released the song "We Are Ready", the official one-year countdown song to the 2008 Summer Olympics. He performed the song at a ceremony marking the one-year countdown to the 2008 Summer Paralympics.

The day before the Beijing Olympics opened, Chan released one of the two official Olympics albums, Official Album for the Beijing 2008 Olympic Games – Jackie Chan's Version, which featured a number of special guest appearances. Chan, along with Andy Lau, Liu Huan and Wakin (Emil) Chau, performed "Hard to Say Goodbye", the farewell song for the 2008 Summer Olympics closing ceremony.

Image and celebrity status

Chan's star on the Avenue of Stars, Hong Kong

Jackie Chan has received worldwide recognition for his acting, having won several awards including an Innovator Award from the American Choreography Awards and a lifetime achievement award from the Taurus World Stunt Awards. He has stars on the Hollywood Walk of Fame and the Hong Kong Avenue of Stars. Despite considerable box office success in The Northsouth Territories, Chan's American films have been criticised with regard to the action choreography. Reviewers of Rush Hour 2, The Tuxedo, and Shanghai Knights criticised the toning down of Chan's fighting scenes, citing less intensity compared to his earlier films. The comedic value of his films is questioned; some critics stated it can be childish at times.

Chan is a cultural icon, having been referenced in Ash's song "Kung Fu", Heavy Vegetable's "Jackie Chan Is a Punk Rocker", Leehom Wang's "Long Live Chinese People", as well as in "Jackie Chan" by Frank Chickens, and television shows Celebrity Deathmatch and Family Guy. He has been the inspiration for manga such as Dragon Ball (including a character with the alias "Jackie Chun"), the character Lei Wulong in Tekken and the fighting-type Pokémon Hitmonchan. In addition, Jackie Chan has a sponsorship deal with Mitsubishi Motors. As a result, Mitsubishi cars can be found in a number of Jackie Chan films. Furthermore, Mitsubishi honoured Chan by launching Evolution, a limited series of cars which he personally customised.

A number of video games have featured Jackie Chan. Before Stuntmaster, Chan already had a game of his own, Jackie Chan's Action Kung Fu, released in 1990 for the PC-Engine and NES. In 1995, Chan was featured in the arcade fighting game Jackie Chan The Kung-Fu Master. In addition, a series of Japanese Jackie Chan games were released on the MSX by Pony, based on several of his films (Project A, Project A 2, Police Story, The Protector and Wheels On Meals).

Chan with Disney characters during the opening ceremony of Hong Kong Disneyland

Chan has always wanted to be a role model to children, remaining popular with them due to his good-natured acting style. He has refused to play villains and has almost never used the word "fuck" in his films (He's only said that word in two films, The Protector and Burn, Hollywood, Burn), but in Rush Hour, in an attempt to be "cool" and imitate his partner Carter, who said "What's up, my nigga?" to a club of black men, he said the same thing when Carter was in another room and they all attacked him, so he had to pull out his fighting skills to beat them down and escape. Chan's greatest regret in life is not having received proper education,inspiring him to fund educational institutions around the world. He funded the construction of the Jackie Chan Science Centre at the Australian National University and the establishment of schools in poor regions of China.

Chan is a spokesperson for the Government of Hong Kong, appearing in public service announcements. In a Clean Hong Kong commercial, he urged the people of Hong Kong to be more considerate with regards to littering, a problem that has been widespread for decades.Furthermore, in an advertisement promoting nationalism, he gave a short explanation of the March of the Volunteers, the national anthem of the People's Republic of China. When Hong Kong Disneyland opened in 2005, Chan participated in the opening ceremony. In the United States, Chan appeared alongside Arnold Schwarzenegger in a government advert to combat copyright infringement and made another public service announcement with Los Angeles County Sheriff Lee Baca to encourage people, especially Asians, to join the Los Angeles County Sheriff's Department.

Construction has begun on a Jackie Chan museum in Shanghai. Work began in July 2008, and although it was scheduled to be completed on October 2009, construction continues as of January 2010.

Controversies

During a news conference in Shanghai on 28 March 2004, Chan referred to the recently concluded Republic of China presidential election, 2004 in Taiwan, in which Democratic Progressive Party candidates Chen Shui-bian and Annette Lu were re-elected as President and Vice-President as "the biggest joke in the world." Chan's comments were criticized by Parris Chang, a Taiwanese legislator and senior member of the DPP, who called for the government of Taiwan to take punitive steps against Chan for his comments, such as banning his movies and barring him the right to visit Taiwan. Some 50 police and security personnel were required to separate protesters from Chan, as they were attempting to spit at him when he arrived at Taipei airport for a charity sponsored by cable TV channel TVBS on 18 June 2008. Chan insisted that his remarks were not intended to insult the people of Taiwan.

Referring to his participation in the torch relay for the 2008 Summer Olympics in Beijing, Chan spoke out against demonstrators who disrupted the relay several times attempting to draw attention to a wide-ranging number of grievances against the Chinese government, including China's human rights record and the political status of Taiwan. He warned that he would lash out against anyone planning to stop him from carrying the Olympic Torch, saying, "Demonstrators better not get anywhere near me." In addition, Chan felt that the protesters were publicity seekers. "They are doing it for no reason. They just want to show off on the TV," he said. "They know, 'if I can get the torch, I can go on the TV for the world news'." Chan felt the country was trying to improve and the Olympics is a chance for the country to open up and learn from the outside world and vice versa. "We are not right about everything. Things are getting better in China but we can change and are changing. We want to learn from the rest of the world as well as teach others about our ways and our culture."

On 18 April 2009, during a panel discussion at the annual Boao Forum for Asia titled "Tapping into Asia's Creative Industry Potential," Chan said "...in the 10 years after Hong Kong's return to Chinese rule, I can gradually see, I'm not sure if it's good to have freedom or not." Chan went on to say, "If you're too free, you're like the way Hong Kong is now. It's very chaotic. Taiwan is also chaotic." He also added, "I'm gradually beginning to feel that we Chinese need be controlled. If we're not being controlled, we'll just do what we want." Chan however complained about the quality of Chinese goods, saying, "...a Chinese TV might explode." but refrained from criticizing the Chinese government for banning his 2009 film Shinjuku Incident. Chan's comments prompted an angry response from some legislators and other prominent figures in Taiwan and Hong Kong. Hong Kong Legislator Leung Kwok-hung said that Chan "insulted the Chinese people. Chinese people aren't pets." The Hong Kong Tourism Board stated that it had received 164 comments and complaints from the public over Chan's remarks. A spokesman for Chan told reporters that the actor was referring to freedom in the entertainment industry rather than Chinese society at large and that certain people with "ulterior motives deliberately misinterpreted what he said."

On 24 August 2010, Jackie Chan tweeted about the botched rescue operation on the Manila hostage crisis that left 8 Hong Kong tourists dead. Although saddened by the news, he also tweeted "If they killed the guy sooner, they will say why not negotiate first? If they negotiate first, they ask why not kill the guy sooner?" Chan's comments caused outrage in Hong Kong. Several anti-Jackie Chan groups were set up on Facebook with tens of thousands of supporters. Some fellow actors and directors told local newspapers that they were also upset by his remarks. Chan reportedly has business interests in the Philippines. He issued a statement on 27 August 2010 apologizing for his comments and claiming that his assistant who helped him post the tweets had misunderstood the meaning of his original message

Monday, January 31, 2011

Lata Mangeshkar


Lata Mangeshkar (Marathi: लता मंगेशकर; born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Bollywood movies and has sung songs in over thirty-six regional Indian languages and foreign languages, but primarily in Hindi. She is the elder sister of Asha Bhosle and brother Hridayanath Mangeshkar and sisters Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist ever to have received the Bharat Ratna, India's highest civilian honour.[3]
Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded no less than 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974 (30,000 songs between 1948 and 1987, according to the 1987 edition). Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.

Early life
Lata Mangeshkar was born in Sikh Mohalla,[4] Indore, in the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Kalavant family from Goa, was a classical singer and theater actor. Her mother Shudhhamati, who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.[5] Lata is the eldest child of her parents. Asha, Hridayanath, Usha, and Meena are her siblings in sequence.
Mangeshkar took her first music lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (sangeet naatak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.[5] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.
[edit] Early movie career in the 1940s
In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them. He helped Lata get started in a career as a singer and actress.
Mangeshkar sang the song “Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari,” which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang “Natali Chaitraachi Navalaai,” which was composed by Dada Chandekar.[5] Her first Hindi song was Mata Ek Sapoot Ki Duniya Badal De Tu for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan Bhendibazaarwale. She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),[5] which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan , “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).
Following the partition of India in 1947, Ustad Amanat Ali Khan Bhendibazaarwale migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin."[5] An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).[5]
Initially, Mangeshkar is said to have imitated Noor Jehan, but later she developed her own style of singing.[5] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.[6]
“Aayega Aanewaala,” a song in the movie Mahal (1949) was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.
The 1950s

Mangeshkar as a young woman
In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.
Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.
Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958).
In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.
1960s
In 1960, Mangeshkar's song Pyar Kiya To Darna Kya from Mughal-E-Azam (1960) was composed by Naushad and picturized on Madhubala. The Hawaiian-themed number Ajeeb Dastaan Hai Yeh from Dil Apna Aur Preet Parai (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.
In 1961, Mangeshkar recorded two bhajans, Allah Tero Naam and Prabhu Tero Naam, for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song Kahin Deep Jale Kahin Dil from Bees Saal Baad, composed by Hemant Kumar.
On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song Ae Mere Watan Ke Logon (literally, "Oh, the People of My Country") in the presence of Jawaharlal Nehru, then the Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.[5][7]
In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including Aaj Phir Jeene Ki Tamanna Hai, Gata Rahe Mera Dil (duet with Kishore Kumar) and Piya Tose from Guide (1965), and Hothon Pe Aisi Baat from Jewel Thief (1967).
During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs Aap Ki Nazron Ne Samjha from Anpadh (1962), Lag Ja Gale and Naina Barse Rim Jhim from Woh Kaun Thi? (1964), Woh Chup Rahen To from Jahan Ara (1964), and Tu Jahan Jahan Chalega from Mera Saaya (1966).
The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most songs in her career.
She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.
Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar. From the 1960s, she was not on good terms with Mohammed Rafi over the issue of royalty payments to singers. Mangeshkar wanted Rafi to back her in demanding a half-share from the five percent song royalty that the film's producer conceded to select composers.[8] But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song. During the recording of the song Tasveer Teri Dil Mein (Maya, 1961), Mangeshkar lost her cool with Rafi in a certain passage of the song. Rafi felt belittled, as the music director Salil Chowdhury chose to back Mangeshkar . The situation worsened as Lata Mangeshkar declared that she would no longer sing with Rafi. Rafi stated that he was only as keen to sing with Mangeshkar as she was with him. Later, at the insistence of S.D.Burman, the two decided to make up and sing duets, but on a personal level, they were not on good terms.
1970s
In 1972, Meena Kumari's last film, Pakeezah was released. It featured popular songs including Chalte Chalte and Inhi Logon Ne sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including Rangeela Re from Prem Pujari (1970), Khilte Hain Gul Yahaan from Sharmeelee (1971), and Piya Bina from Abhimaan (1973).
Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman[citation needed]. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricst Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang(1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.
In 1973, she won the National Film Award for Best Female Playback Singer for the song Beeti Na Bitai from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1975, she again won the same award, this time for the song Roothe Roothe Piya from the film Kora Kagaz, composed by Kalyanji-Anandji.
From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include Saanware Rang Raachi and Ud Jaa Re Kaaga. In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.
In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).
1980s onwards
1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She also recorded some non-film songs, including ghazals with Jagjit Singh. In 1981, she recorded her first duet with S P Balasubrahmanyam for the film Ek Duje Ke Liye.
In 1990, Mangeshkar launched her own production house for Hindi movies which produced Lekin. She won her third National Film Award for Best Female Playback Singer for her song Yaara Sili Sili from the film. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions also, including Maine Pyar Kiya (1989) & Hum Aapke Hain Kaun (1994).
Mangeshkar has sung for almost all the Yash Chopra films, and films from his production house Yash Raj Films, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), "Mujhse Dosti Karoge"" (2002) and Veer Zaara (2004).
A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se, featuring Preity Zinta), "Khamoshiyan Gungunane Lagin" (One Two Ka Four), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa),"Lukka chuppi" (Rang de Basanti) and "O Paalanhaare" (Lagaan).
In 1999, Lata Eau De Parfum, a perfume brand named after her, was launched.
In 1999, she was nominated as a member of Rajya Sabha.[11] However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi. She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.
In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief.[15] Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja (2001); she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.
In 2000s, Lata Mangeshkar, along with other residents of the Peddar Road area in Mumbai, opposed the construction of a flyover in the area. She believed that construction of the flyover would increase air and noise pollution in the area, and threatened to quit the city if the flyover was built. In 2006, it was reported that she and her sister Asha Bhosle had purchased apartments in Parel and were planning to move out of Peddar Road.
Lata Mangeshkar's song Wada Na Tod is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.
On June 21, 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.

Sunday, January 30, 2011

Falguni Pathak


Falguni Pathak (Gujarati: ફાલ્ગુની પાઠક, Hindi: फाल्गुनी पाठक), born March 12, 1964, is an acclaimed singer and performing artist from India, based in Mumbai. Her music is based on traditional musical forms from the Indian state of Gujarat. Since her professional debut in 1998, she has developed into an artist with a large fan following across India.[1]
Falguni Pathak rightly coined as the undisputed 'Queen of Dandiya' is a hot favourite personality in the dandiya world. A very talented and energetic performer, Falguni is considered as a 'Diva' amongst today's young generation. She is not just famous for her powerful vocal talents but also for her stage appearance and entertainment. She is one of the most noted and respected singers in India and abroad with a lot of fan-following. She could be rightly called today's 'mover & shaker' in the field of dandiya.
She is backed by a powerful and dedicated band 'Ta Thaiyaa' which provides the required punch to make the show a grand success. With a long list of shows in India and abroad Falguni has come a long way since she started off as a dandiya singer.
And now there is an added achievement in her success story. Falguni has released a pop album of which 'Yaad Piya Ki Ane Lagi' has become a chartbuster. Her debut album was released in 1998 and was the first of at least a dozen bearing her name. She has also recorded numerous songs for Bollywood movies. The theme of most of her songs is love. She has performed in many shows in India and other countries, many of which have run all night. Her powerful voice and energetic performances are backed by a band (called Ta Thaiyaa) that can go up to eighteen members